D-CAF 2016: Participatory Theater Workshop: Doing Things with People
(This event has passed)

Theme:
Format:
Date:
Apr 3, 2016 6:00–9:00pm
Apr 4, 2016 6:00–9:00pm
Admission: Free and Registration required
Event Language: The workshop is in Spanish or French with Arabic translation
Website: https://www.facebook.com/events/999617453441927/


Doing Things with People- Participatory theater workshop
by Roger Bernat (Spain)


For reservation, download the application form here: http://bit.ly/DoingThingsEn

please send your Application and CV with recent photo to workshops@orientproductions.org and put the title of the workshop in the email’s subject 


Participants:
- Anybody interested in participatory theater. D-CAF will give priority to applicants who have a background in theater and acting.

- Participants have to attend the D-CAF performance “NumaxFagor plus” (free invitation) on the 1st or 2nd of April, at AUC Falaki Theater

About Numax-Fagor-plus :
Numax-Fagor-plus is a play by Roger Bernat with a different performer in each show. The play is based on the film Numax, presenta (1980) byJoaquimJordà, with the cooperation of the former Numax workers and of the film’s crew. The play also would not have been possible without the cooperation of the Platform for Partners of Fagor, Ahots Kooperatibista and Mondraberri. 


Workshop description:
The theater is the place to rethink the community. Perhaps this is why, in recent times, the theater has become an essential tool for imagining new ways of being with the others. Politicians, architects or journalists, of very different tendencies, are inspired by theater techniques to find new ways to get people to mobilize. Participation has become a way of emancipation and at the same time, the best way to affect public opinion.

The workshop in Cairo can be seen as a collective dramatization, one that allows us to face the virtues and paradoxes of being part of a group.

About Roger Bernat:
Roger Bernat studied painting, architecture and theatre. Since 2008 he has created performances in which the audience takes the stage and becomes the protagonist. “Spectators go through a device that invites them to obey or conspire and in any case, to pay with their own bodies and commit.”

www.rogerbernat.info